This study investigates the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Integrating new approaches to drama, gender and patronage, it offers an original paradigm of female performance that positions women at the core of public...
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This study investigates the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Integrating new approaches to drama, gender and patronage, it offers an original paradigm of female performance that positions women at the core of public culture. -- .
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