Where previous examinations of rock art have emphasised disparaties between traditions in northern and southern Scandinavia, this volume emphasises similarities in themes, formats and repertoire and discusses new theoretical approaches to analysis which emphasise interaction and commonality.
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Where previous examinations of rock art have emphasised disparaties between traditions in northern and southern Scandinavia, this volume emphasises similarities in themes, formats and repertoire and discusses new theoretical approaches to analysis which emphasise interaction and commonality.
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