This book is the first to explore `old age' in cinema at the intersection of gender, ageing, celebrity and genre studies. It takes its cue from the dual meanings of `silvering' - economics and ageing - and explores shifting formulations of `old age' and gender in contemporary cinema.
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This book is the first to explore `old age' in cinema at the intersection of gender, ageing, celebrity and genre studies. It takes its cue from the dual meanings of `silvering' - economics and ageing - and explores shifting formulations of `old age' and gender in contemporary cinema.
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