The Queen Bee, The Prom Queen, and the Girl Next Door: Teen Hierarchies in Carrie; A.M.Kelly Apt Pupil: The Making of a \'Bogey Boy\'; D.Mahoney Maybe It Shouldn\'t Be a Party: Kids, Keds, and Death in Stephen King\'s Stand By Me and Pet Sematary; J.Weinstock Father Figure: Suffering and Salvation in Hearts in Atlantis; G.Hoppenstand The Lonesome Autoerotic Death of Arnie Cunningham in John Carpenter\'s Christine; P.Simpson Tonka Terrors: The Humor and Horror of Trucks and Maximum Overdrive; M.A.Arnzen The Long Dream of Hopeless Sorrow: The Failure of the Communist Myth in Kubrick\'s The Shining; M.J.Blouin The Prisoner, the Pen, and the Number One Fan: Misery as a Prison Film; M.Findley Redemption Through the Feminine in The Shawshank Redemption; or, Why Rita Hayworth\'s Name Belongs in the Title; T.Magistrale Christian Martyr or Grateful Slave?: The Magical Negro as Uncle Tom in Frank Darabont\'s The Green Mile; B.Kent The Maestro: Race in the Films of Stephen King; S.Neilson Reaganomics, Cocaine, and Race: David Cronenberg\'s Off-Kilter America and The Dead Zone; S.E.Turner The Feminist King: Dolores Claiborne; C.Dolan Only Theoretical: Postmodern Ambiguity in Needful Things and Storm of the Century; M.Pharr Rose Red and Stephen King\'s Hybrid House of Horrors; D.Perry & C.Sederholm Gardening for a New Generation of Horror in Secret Window; B.Szumskyj