Manuscript sources contain significant hints that Gustav Mahler's symphonies are not absolute music but erlebte Musik according to his programmatic ideas. A knowledge of the programmatic ideas therefore provides insights which are crucial for an adequate interpretation of his works.
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Manuscript sources contain significant hints that Gustav Mahler's symphonies are not absolute music but erlebte Musik according to his programmatic ideas. A knowledge of the programmatic ideas therefore provides insights which are crucial for an adequate interpretation of his works.
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