This book argues for a new understanding of twentieth and twenty-first century avant-gardes by analyzing literary and artistic communities and publishing practices of the small-circulation magazines in which avant-garde groups originally published and continue to publish their work.
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This book argues for a new understanding of twentieth and twenty-first century avant-gardes by analyzing literary and artistic communities and publishing practices of the small-circulation magazines in which avant-garde groups originally published and continue to publish their work.
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