This is an ethnography of a powerful western cultural organization, the renowned Institut de Recherche et de Co-ordination Acoustique/Musique (IRCAM) in Paris. The book studies the social and cultural economy of an institution for research and production of avant-garde and computer music.
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This is an ethnography of a powerful western cultural organization, the renowned Institut de Recherche et de Co-ordination Acoustique/Musique (IRCAM) in Paris. The book studies the social and cultural economy of an institution for research and production of avant-garde and computer music.
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