The author's close-ups and samplings of the imperceptible shifts, transitions, and oscillations of this prose instantiate the form of attention turned to what is on the margins, in the gaps, between the lines; an attention attuned to the quivering, the resonances, and minute shadings between...
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The author's close-ups and samplings of the imperceptible shifts, transitions, and oscillations of this prose instantiate the form of attention turned to what is on the margins, in the gaps, between the lines; an attention attuned to the quivering, the resonances, and minute shadings between words and turns of phrases, continually dissolving and recasting the space of the imaginary. Robert Buch, German Studies Review 34/3
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