This text explores the possibility of symbolic public spaces in the context of Chinese cinema. Focusing especially on women, children and the dispossessed, it looks at the way public space is constructed and occupied, both in the Chinese cultrual sphere and in the world of international audiences.
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This text explores the possibility of symbolic public spaces in the context of Chinese cinema. Focusing especially on women, children and the dispossessed, it looks at the way public space is constructed and occupied, both in the Chinese cultrual sphere and in the world of international audiences.
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