This book introduces polytempic polymicrotonality as a new musical aesthetic. It displays examples of music literature for musical precedence in this area, focusing on Charles Ives’s Universe Symphony, unfinished since 1925 and realized recently by Johnny Reinhard in 1996.
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This book introduces polytempic polymicrotonality as a new musical aesthetic. It displays examples of music literature for musical precedence in this area, focusing on Charles Ives’s Universe Symphony, unfinished since 1925 and realized recently by Johnny Reinhard in 1996.
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