While researching his essay for the dOCUMENTA (13), the artist Clemens von Wedemeyer ( 1974) ran across a screenplay by director Eberhard Itzenplatz, complete with handwritten notes and drawings, at the Berlin Akademie der Künste; it was the basis for the screenplay by Ulrike Meinhof, Bambule. Fürsorge Sorge für wen? (Bambule: Care Care for Whom?) The television broadcast, planned for 1970, was canceled, because the journalist and later co-founder of the RAF had disappeared into the terrorist underground ten days before. In Wedemeyer s eyes, the screenplay is film material that reflects the work environment, the production process, and (self) limitations, and in this specific case, the fact that it is a kind of time capsule. When the film was broadcast twenty-four years later, the social landscape had already been fundamentally transformed. The screenplay closes the gap in time and is a testimony to the discussions held among the participants. In an afterword, the publicist Bettina Röhl ( 1962), daughter of Ulrike Meinhof, sheds some light on the motivation for the orphanage campaign as a political program. ukryj opis